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This article aims to present the border movements of the cinema of Apichatpong Weerasethakul, movements of becoming, connections and alliances for an anthropophagic immanence. For that, we are guided by the meeting of the thought of Gilles Deleuze and Félix Guattari, and Oswald de Andrade, and the director's films in the emergence of hybridities and becomings that territorialize other cartographies, human and non-human arbitrary singularities and individuations; the power of cinematography due to its consequences, resonances and contagions...

CONEXÕES NO CINEMA DE APICHATPONG WEERASETHAKUL: POÉTICAS E LINGUAGENS E...