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In the article the short story “I haven’t seen flowers” (1904) written by Denys Lukiyanovych (1873–1965) and published only in the edition of the “Literaturno-Naukovyi Visnyk” is analyzed.  It is stated that the novel is closely included in the thematic, genre-stylistic paradigm of  modernism of the beginning of the twentieth century, has the main stylistic features of  the  analyzed period, in particular the poetics of impressionism and expressionism, sometimes naturalism. The figurative system, genre features and motives of the work are studied. The following characteristic features of the poetics of impressionism are revealed: visual and auditory perception, the presence of a lyrical hero, focusing on the innerworld of  the  character, leveling the significance of the dynamics of the plot. The use of images inherent in impressionism works, such as death (fluidity of time), city (mechanical life), flowers (eternity in beauty), etc. is evaluated. Attention is paid to the reception of the use of characters and replicas of characters in an epic work. The trinity “author-narrator-lyrical hero”, formed on the basis of the merger of these images, is analyzed. The use of artistic contrast in  the  depiction of the experience of lyrical hero is evaluated. An attempt is made to  demonstrate the fragmentary, allusiveness and unprovability of writing in herentin the  Impressionist style. The article also focuses on the expression of the worldview of the heroes through the  prism of personal and social problems. The cult of suffering of the main character as such, which is obvious in every earthly life, is analyzed. By leveling the significance of “temporary” values, the author shows that human life is only a temporary phenomenon, on of the intermediate links of existence. Because of such interpretation of this stylistic trend, another trinity is offered, that one can notice in the work, “author-hero-reader”, because it is the latter who has to “conduct” all these “expressions” through himself. It is noted that the manifestation of naturalistic details further exaggerate the concept of  death and suffering. They vividly convey the physical and emotional state of the hero, who is struggling to survive as an earthly being, but still strives for eternity. The novel is compared with other texts similar in style and written in one temporal and  cultural dimension. The features of literary “value" in comparison with other works of  the  mentioned epoch are clarified. The conclusion about the application of stylistic syncretism at the turn of the century is made.

Style syncretism of the beginning of the XX century: the novel “I Haven’t Seen Flowers” by Denys Lukiyanovych