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In this essay I will focus on my artistic practice, discussing the dialogue/influence in the use of canine as a companion species and as an accessory and commodity, with ideals of perfection implemented through breed standards set out in dog shows. I include the constructs of the zoo, and its humanistic influence, and how these themes have moulded and adapted my theoretical discourse and art practice. This paper has been written in the time of the Covid 19 lockdown, and because of this world changing event, I have added an epilogue to discuss the impact it may have on the human and non-human animals mentioned in this paper.

Animals on Display: the Ethics of Keeping Animals