English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

5. Ertelt, T. (1999). Berg, Alban (Albano Maria Joannes). In: Die Musik in Geschichte und Gegenwart, 2nd ed. Kassel [etc.]: Bärenreiter, SS. 1198–1238. [in German]. 6. Lewis, C. (1981). Tonal Focus in Atonal Music: Berg’s op. 5/3. Theory Spectrum, 3, pp. 81–97. [in English]. 7. Motte, D. (2007). Alban Berg: Vier Stücke für Klarinette und Klavier op. 5, No 1. In: D. Motte, ed., Musikalische Analyse. Textteil, 8th ed. Kassel [etc.]: Bärenreiter, SS. 131–145. [in German]. 8. Schatt, P. (1986). Zahl, Symbolik und Kryptogrammatik in Alban Bergs Stükken für Klarinette und Klavier. Archiv für Musik-Wissenschaft, 43 (2), SS. 128– 136. [in German].

Composition and improvisation in the aspect of the music infl uence on the expressive structure of the fi lm