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The rapprochement between the German and the Italian cultural policy in Rio de Janeiro during the Vargas Era was based on common interests and strategies while establishing its presence in the Americas. Although both countries have the same adversary, the influence of allied countries in Brazil, certain aspects of their relations involved their cooperation in an atmosphere of precaution and discretion. Such cooperation in the artistic and cultural field had a direct impact on the activities of the Pro Arte an association of artists and German arts’ aficionados in Brazil. Aligned with the modernist avant-garde since its establishment, the association found itself seized by the German embassy’s National Socialist guidelines, being used as an instrument of its cultural policy and propaganda through art.

Arte, política cultural e cooperação teuto-italiana no Rio de Janeiro da Era Vargas