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Science fiction has been described as a genre of estrangement and cognition. Having The end of eternity (1955), by Isaac Asimov, as a case study, we demonstrate that temporal paradoxes and moral criticism, common themes of time travel stories, generate such effects. Our analysis is primarily based on authors such as Csicsery-Ronay, Jr. (2008), Nikolajeva (2009), and Suvin (1972).

Estrangement and cognition–timetravel paradoxes and social engineering in Isaac Asimov’s The End of Eternity