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America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film Susan Jennings Lantz This dissertation examines the eroticization of female children in film during the 1930s as a mechanism for concealing troubling realities of the Great Depression in the United States. The repressed sexuality embedded in the plots of Post-Hays Code movies featuring Shirley Temple and characters such as Stella Dallas, Dorothy Gale, and Scarlett O'Hara serve to suture over a crisis of masculinity triggered by changing roles in gender, race, and class. By attempting to invoke the image of a "little girl" in place of that of a grown woman, some films (such as Gone With the Wind, and Bright Eyes) do a better job of masking these abruptions than do other others (such as Stella Dallas and The Wizard of Oz).