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Walking Upright: An Actor's Blueprint of Process and Character Development in Exit, Pursued by a Bear by Lauren Gunderson Imani R. Berry To execute the demands of a play the actor must sift through an overwhelming amount of material on the play’s style, period, and given circumstances; as well as their own physical, vocal, and emotional life that ultimately affect their ability to access character and performance. This paper will investigate the stumbling blocks an actor faces when creating a role, and how the actor’s enquiries culminate into a performance. It provides a detailed account of research, rehearsals, and performance study that were embarked on when creating the role of NAN in Lauren Gunderson’s Exit, Pursued By a Bear. The actor’s process is a collaborative effort; it is influenced by parties outside of his or her research such as the playwright, director and text. To adequately examine this process, and these external factors, this document is divided into the following chapters: Playwright, Director, Text Analysis, Actor’s Process, and Performance & Reflection. It discusses the use of the following acting methodologies: Michael Chekhov, Sanford Meisner, Lee Strasberg and Uta Hagen. There is additional investigation of the demands placed on the actor’s instrument such as the voice, imagination, and body. Solutions to these demands are explored using the work of Kristin Linklater, Patsy Rodenburg, and Jackie Snow.

Using active learning strategies to investigate student learning and attitudes in a large enrollment, introductory geology course