English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The objective of this paper is to propose a mathematical interpretation of the continuous geometric proportion (Timaeus, 32a) with which Plato accomplishes the goal to unify, harmonically and symmetrically, the Two Opposite Elements of Timaeus Cosmos—Fire and Earth—through the Mean Ratio. As we know, from the algebraic point of view, it is possible to compose a continuous geometric proportion just starting from two different quantities a (Fire) and b (Earth); their sum would be the third term, so that we would obtain the continuous geometric proportion par excellence, which carries out the agreement of opposites most perfectly: (a + b)/a = a/b. This equal proportion, applied to linear geometry, corresponds to what Euclid called the Division into Extreme and Mean Ratio (DEMR) or The Golden Proportion. In fact, according to my mathematical interpretation, in the Timaeus 32b and in the Epinomis 991 a–b, Plato uses Pingala’s Mātrāmeru or The First Analogy of the Double to mould the body of the Cosmos as a whole, to the point of identifying the two supreme principles of the Cosmos—the One (1) and the Indefinite Dyad (Φ and1/Φ)—with the DEMR. In effect, Fire and Earth are joined not by a single Mean Ratio but by two (namely, Air and Water). Moreover, using the Platonic approach to analyse the geometric properties of the shape of the Cosmos as a whole, I think that Timaeus constructed the 12 pentagonal faces of Dodecahedron by means of elementary Golden Triangles (a/b = Φ) and the Mātrāmeru sequence. And, this would prove that my mathematical interpretation of the platonic texts is at least plausible.

symmetry

The Two Supreme Principles of Plato’s Cosmos—the One and the Indefinite Dyad—the Division of a Straight Line into Extreme and Mean Ratio, and Pingala’s Mātrāmeru