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Recently, debates on authenticity in the West and China have attracted attention of critical heritage studies. This paper aims to better understand how Western Authorized Heritage Discourse (AHD) influences local heritage practice in China. This paper employs observation, semi-structured interviews and textual analysis to examine how authenticity criteria in Western AHD has shaped perceptions on the spatial consequences of what is “authentic” by different agents in regards to the cultural heritage of the Shaolin Temple. It is argued that the implementation of authenticity criteria found in Western AHD influences Shaolin heritage practice both in hegemonic and negotiated ways, in which a Chinese AHD is formed through the creation of a Western AHD with Chinese characteristics. The understandings on authenticity criteria derived from Western AHD by Chinese heritage experts dominates Shaolin heritage practice, whilst the perceptions on “authentic” Shaolin Temple cultural heritage attached closely to their emotions and experiences by local residents are neglected and excluded. The religiously based authenticity claims of the Shaolin monks which competes with those of the heritage experts and local residents are also considered. Furthermore, the managerial structure was changed in 2010 from a government-directed institution to a joint-venture partnership. The impacts of these managerial changes are also considered. The final outcome of these competing heritage claims was that local residents were relocated far from their original community. Without the residential community in situ, and in conjunction with the further commercialization of local culture, the Shaolin Temple heritage site takes on the features of a pseudo-classic theme park.

The Uses of Reconstructing Heritage in China: Tourism, Heritage Authorization, and Spatial Transformation of the Shaolin Temple