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Through discussion on the increments of unordered elements in the transition of 20th century western contemporary music, this paper investigates similarities between 20th century western music and traditional Chinese music. Analyzing chaos in Tradition Chinese Music scripts and inheritance and comparing the fractal features of Chinese and Western music, it also views, from the perspective of philosophy, the value and philosophical meaning of Chinese and Western music.

Rigidity and Flexibility: A Comparative Study of Traditional Chinese and Western Music from the Perspective of Complex Information System Theory