English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Research on the aesthetic experience of music has largely focused on tonal music, while relatively less is known about individuals’ differences in the aesthetic experience of atonal music. According to the compensatory control theory, we hypothesized that perceived personal control significantly and positively predicted individuals’ tendency to prefer atonal music, while the need for structure played a mediating role. The present research investigated who tends to prefer atonal music, and why. A sample of college students listened to atonal music and completed questionnaires on perceived personal control, the need for structure, and their aesthetic judgment of the music. Our analysis showed that individuals with higher perceived personal control exhibited a stronger tendency to prefer atonal music, compared with those who had lower perceived control; moreover, the need for structure played a mediating role between perceived control and aesthetic experience of atonal music. These results revealed which audience was suitable for atonal music and extended the explanatory scope of the compensatory control theory. The theoretical and practical implications and limitations of these findings are discussed.

Who Tends to Appreciate Atonal Music? Higher Perceived Personal Control Leads to an Increased Inclination to Prefer Atonal Music