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This article analyses the ways in which British Jewish writing has responded to the watershed events of 2016: the vote to leave the EU in the United Kingdom, and the election of Donald Trump as President of the USA. It argues that such a response demands varied generic and narrative forms, as exemplified in three case studies. Tom Stoppard’s 2020 play Leopoldstadt is a historical drama about twentieth-century Austrian history, but the moment of its staging and its links to the playwright’s biography convey its cautionary relationship to the present. Linda Grant’s 2019 novel A Stranger City is set in a post-2016 London that has become unfamiliar to its inhabitants, while Howard Jacobson’s Pussy of 2017 is a satire aimed at Trump’s electoral success. In each case, cultural turmoil is represented in terms of Jewish history.

British Jewish Writing in the Post-2016 Era: Tom Stoppard, Linda Grant and Howard Jacobson