English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

A socially-engaged literary Modernist, whose writings possess an incisive skepticism toward political power, Eyvind Johnson (1900–1976) was a working-class autodidact who became a prominent voice in Swedish letters during the twentieth century. His historical novels have attracted the most critical attention to date, but his short fiction from the 1920s reveals a young author increasingly suspicious of what postmodern theorist Jean-Francois Lyotard would later call master narratives—totalizing views of historical events that serve a political or universalized function. In “Kort Besok” (A Short Visit), “Det Forlorade Europa,” (The Lost Europe) and “En Man i Etolien” (A Man in Aetolia), from his 1932 short story collection Natten ar har (The Night Has Come), Johnson’s characters resist and subvert various master narratives, maintaining their dignity and individuality in the face of destructive political, military or nationalistic agendas. Although his formal experimentation, introspective storytelling and narrative irresolution firmly situate him in the Modernist literary tradition, Johnson’s disruption of grand narratives about historical events in these stories previews postmodernity, with its radical interrogation of language’s subjugating power, suggesting a new avenue for evaluating and apprehending his literary innovations. Short fiction, thus, offers an accessible entryway into the complex art of Eyvind Johnson, whose intricate novels about centuries past have long resisted casual readership.

Recovering a “Lost Europe”: The De-Centering of Master Narratives in Eyvind Johnson’s Natten är här