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This is a short introduction to the hieroglyphic nature of ancient Egyptian material culture and its polyvalence using a bronze statuette of a lioness-headed goddess in front of an obelisk (formerly in the Omar Pasha Sultan Collection) as a case study. Because the lioness is not identified by an accompanying inscription, the essay demonstrates methods by which the identification and significance of the image can be unpacked.

A Bronze Reliquary for an Ichneumon Dedicated to the Egyptian Goddess Wadjet