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As the effects of climate change pose an increasing risk of damaging outdoor modern and contemporary artworks’ aesthetic appearance by affecting their mechanical properties and chemical-physical stability, understanding the degradation processes attacking these objects is becoming more and more essential to their conservation. For this purpose, the kinetics of photo-oxidation processes occurring in alkyd paints and their stability in mixtures with different inorganic pigments were investigated. The aim was to characterize the different degradation reactions over time and study the photodegradation kinetics according to different pigments and pigment/binder ratios. This paper describes the degradation behavior of artificial ultramarine blue, hydrated chromium oxide green, and cadmium sulfate yellow pigments mixed with alkyd resin and aged under simulated sunlight exposure for a total of 1,008 h. The analytical techniques used offer complementary information on the characterization of the samples and their aging. Specifically, 3D Optical Microscopy allowed studying morphological and color changes. These results were supported by Scanning Electron Microscopy and Colorimetry analyses, also focused on studying the physical and granulometric characteristics of the pigments in relation to the binder degradation. Finally, qualitative and quantitative analysis was performed by Attenuated Total Reflection Infrared Spectroscopy. To support the obtained results, Multivariate Analysis of microscopic images was carried out with the aim of studying the degradation effects linked to color and texture changes. The obtained results demonstrate that the degradation processes of alkyd resin are influenced by the presence of the different inorganic pigments used and their concentration in the mixtures. This study should contribute as support to the field of conservation-restoration to find suitable protection strategies for paint surfaces against degradation agents.

Photodegradation Kinetics of Alkyd Paints: The Influence of Varying Amounts of Inorganic Pigments on the Stability of the Synthetic Binder