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Banu Karaca has recently observed that „while we can find a conflation of culture and politics, that is ‘culture talk in the EU sector, the cultural sector has increasingly been ‘talking Europe’“1. In the museum sector, this European „talk“ is at the moment conflated with a willingness to also „do Europe“. For over a decade we have been able to witness the development – and failure – of projects to create European museums such as the Musée de l’Europe in Brussels, the Bauhaus Europa in Aachen and the European Parliament’s own House of European History soon to be realised. For about the same period, already existing museums have been reorienting their exhibitions towards a more „European“ narrative. Thus the former Museum für Volkskunde in Berlin has changed its name to Museum Europäischer Kulturen and is currently undergoing a rearrangement of its collection, while the former Parisian Musée des Arts et Traditions Populaires has moved its collection to Marseilles and will be opening in 2013 as the Musée des Civilisations de l’Europe et de la Méditerannée (Mucem). A redefinition of collections does however not only happen in individual museums, but also, on a larger scale, online – most importantly with the launch in 2008 of Europeana.eu aiming at „making Europe’s cultural and scientific heritage accessible to the public“2. These redefinitions of collections and creations of new museums are accompanied by the organisation of museum professionals into networks for the exchange of objects, ideas and good practice examples

Exhibiting Europe The Development of European Narratives in Museums, Collections, and Exhibitions