English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

In Red Skin, White Masks Glen Sean Coulthard speaks to the asymmetries that plague state-driven attempts at enforcing recognition, reciprocity, and reconciliation with First Peoples communities in post-TRC Canada. Although the exigency of achieving a mutually-beneficial, reciprocal form of communication between settler-state and First Peoples has grown especially visible in our present moment, the mechanics of listening and speaking both within and between communities have in fact long been a pivotal concern in First Peoples’ fiction. This project investigates the functions of dialogue in Greek-Cherokee novelist Thomas King’s Green Grass, Running Water with attention to King’s unique style of writing non-dialogues between characters, as well as the structural role that dialogue plays in his writing more broadly, my analysis shows how the act of refusing to listen becomes a means for transforming and generating new conversations across different (typically intercommunal) power dynamics. Submitted:

Refusing to Listen and Listening to Refusal: Dialogue, Healing, and Rupture in Green Grass, Running Water