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Dissatisfied with the decisions of the Western political class to remain uninvolved in helping settle the conflict in Syria, many hiphop, rap, and pop artists from Syria and the surrounding region have been creating and performing politically charged music that promotes liberty, and justice in the Middle East. One artist in particular, Omar Offendum (in the United States), writes and brings to the stage his hip-hop music in a way that continues and enhances this political-artistic movement across the Atlantic. Employing rhymes and rhythms that foster commotion and make noise, Offendum breaks the global indifference accumulated around the topics of the Syrian war and the unsolvable debates about allowing a certain number of Syrian asylum seekers to apply for refugee status in Western nations. He underscores that apathy is not an option for those who oppose the oppressor. In this paper, we argue that Offendum’s music constitutes an effective tool of political propaganda that can raise social consciousness of the needs of Syrians today and inspire social justice. Because the political-ideological space that feeds his creative act is set in a civil-rights-conscious U.S., Offendum often appeals to a heritage, reminding the listener of the activism of the Black Panthers, the legacy of Malcom X, and the freedom battles of Rodney King and his followers. In many of his songs, Offendum uses Arabic, both as a means of highlighting the authenticity of his hybrid identity and as a method of marking a cultural space for a diverse audience to come together. In this paper, we offer a brief historical look at the role of hip-hop in the struggle for civil rights in the US in order to locate the legacy Offendum’s music builds on and to assess its power. We then perform a close analysis of three of his most famous songs and conclude with a brief discussion of the impact of Offendum’s on social media platforms globally.

Breaking the Chain of Silence: Political Activism and Social Justice in Omar Offendum’s Syrian-American Hip-Hop