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Starting from identifying the elements of the mise-en-scene and the characteristic integration of the spaces portrayed in the film Her (Spike Jonze, 2013), the functions pictured by the cinematographic landscapes of the film are analyzed, as well as, it is explained its spatiality, or set of meanings expressed through the spaces in which the dramatic action takes place. It is concluded that most of the analyzed spaces behave, to a greater or lesser degree, as metaphors of the emotions experienced by the characters which they do not dare to express in certain moments. By this way, the representation of the open urban space stands out as an unsatisfactory utopia and, in contrast of some indoor spaces and or virtual environments that work as heterotopies or counter-sites of other significant, real or fictitious sites.

PAISAJES CINEMATOGRÁFICOS COMO METÁFORAS DE LAS EMOCIONES. Análisis de los modos de representación fílmica y espacialidad en Her de Spike Jonze