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"Shakespeare's sonnets," writes Stephen Booth, "are hard to think about. They are hard to think about individually and they are hard to think about collectively." Certainly Shakespeare's book of lyrics is as intractable from a structural point of view as any other of its kind. Indeed, it is more so; composed of 154 14-line poems in unrelieved succession, containing a number of thematic subgroups of varying size, it has no obvious ending, nor any obvious beginning, except for the first grave utterance of that sonorous voice:

"Love's sweetest part, variety": Petrarch and the Curious Frame of the Renaissance Sonnet Sequence