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Even a glance at recent publications about books and reading suggests that digital media are changing book publishing, daily and dramatically. While sources like John B. Thompson’s Merchants of Culture and the recently revamped New York Times best-seller lists testify to the growth and increasing adoption of e-books, ambiguities about the effects of e-books on everything from reading habits to culture to industry are unresolved. A 2010 review of Ted Striphas’s The Late Age of Print, in which the reviewer twits the book’s author with the rhetorical question, “‘late’ as in ‘the late John Lennon?’ or ‘late’ as in ‘the final period of’?,” evokes the tensions that arise from the possibility that electronic texts might displace print. The dynamic further manifests itself in news articles that suggest that burgeoning e-book sales threaten the traditional printed book and in plans by presses that envision a fully electronic future, such as the recently announced restructuring of the University of Missouri Press as a

E-books for Young Readers: A Historical Overview of Interdisciplinary Literatures