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This article makes an analysis of the narrative structure, of the aesthetics and content of Fernando Arrabal’s film work Ire como un caballo loco (1973). Beyond his acknowledged trajectory as a playwright, this unique work constructs -in a deep and structured way- a complex narrative, full of biographical, literary and media referents, beyond the mere appearance of chaos, confusion and absurdity. The intertextuality of its narrative structure forces a qualitative and interdisciplinary analysis to reach the most hidden and unsuspected aspects of the film, where nothing is accidental. Among the main contributions are a narrative and structural duality that connects both with Aeschylus and also with journey and road movies.

Entre la tragedia griega y las películas de carretera: Iré como un caballo loco (1973) de Fernando Arrabal