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Recurrent on the Brazilian visual artist known as “Tunga” and unquestionably in vogue on the visual arts field, the rereading of the body by the hybrid languages of the contemporary art resets the debate about its place in society. Rendering problematic themes such as identity, science, history, reason, fiction, sexuality and time, among other issues, through performances, instaurations, installations, happenings, sculptures, fictional writings, paintings, photographs, videos, books, etc.; Tunga writes a new chapter on the Brazilian Art History, in consonance with this tendencies known as “expanded field” of the contemporary art. In this article, the Tunga’s poetic will be analyzed from the thematic “body in transmutation”, an issue that dialogues with all of his trajectory as a visual artist and widely explored on the expositions “Made By: Feito por Brasileiros” and “From La Voie Humide” that occurred in the city of São Paulo, in the year of 2014.

“Made By: Feito por Brasileiros” and “From La Voie Humide”: An analysis about the body in transmutation on Tunga’s poetics