English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

AN EXAMINATION OF THE REPRESENTATION OF IRISH CATHOLIC PRIESTS IN CONTEMPORARY IRISH THEATRE by James Patrick Jeans Modern Irish theatre can trace its origins to the creation of The Irish Literary Theatre by W.B. Yeats and Lady Gregory in 1899, which later became the Irish National Theatre Society, and eventually, the Abbey Theatre. For more than 100 years, Irish theatre has served as a mirror for reflecting Irish identity and as an oracle of future possibilities. A decade into the Twenty First Century found Irish identity challenged by a child abuse scandal of tragic proportions whereby over 30,000 children suffered at the hands of a duplicitous and negligent Catholic Church. The purpose of this thesis is to explore the various ways in which the theatre has represented the Irish Catholic priest in the wake of this scandal.

An Examination of the Representation of Irish Catholic Priests in Contemporary Irish Theatre