English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper lays bare the re-working of the ideologemes in William Faulkner’s Go Down, Moses (1942) and Absalom, Absalom! (1936) in Vicente Groyon’s novel The Sky Over Dimas (2003). Ideologemes, in Fredric Jameson’s The Political Unconscious: Narrative as a Socially Symbolic Act, are inherited narrative paradigms which are constitutive of a class discourse. In his postmodern work, Groyon modifies the ideologeme of the white patriarch’s ‘grand design’ in Absalom, Absalom! and the ideologeme of renunciation in Go Down, Moses which undermine racist ideologies, to provisionalize Bacolod history, thus reifying both class discourses as gossip and speculation.

A Tale of Two Souths: The Faulknerian Ideologeme in Vicente Groyon's The Sky over Dimas