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The purpose of the study. The main theoretical and practical aspects relating to the actor’s skill, as well as identifying the features of the actor’s work on the role in the process of creating the character’s image according to M. Chekhov’s methodology in forming modern dramatic art have been determined. Research methodology consists in applying a systematic and analytical approach for defining the goals and strategies of scientific research, namely using special methods and techniques, which describe the essence and features of individual methodology of creative activities of famous masters of cinema and theatre Anton Chekhov. The scientific novelty consists in creating an image of the character in the modern dramatic cinematography based on M. Chekhov’s professional technology within the given concept. Conclusions. According to the goal of the research, it has been found out that despite the opposite opinions regarding the education of an actor; almost all researchers of actor’s art agree that any professional actor should have a technological base. It includes the use of a speech apparatus, a voice in a dramatic vocal, a body in flexible etudes and dances and other skills, namely analysis and study of the play, roles, creating an image, building an effective character line, determining the hero’s overarching goal, finding the internal monologues, etc. In a scientific study, the actor’s place in an audiovisual work has been found, and it has been determined that the actor is both the creator and tool of his art, the actions he performs, and the material for creating the character’s image. Also in the course of the study, the creation of the hero’s stage image in the play has been analyzed and characterized, and the actor’s work on the role has been revealed.

vìsnik kiïvsʹkogo nacìonalʹnogo unìversitetu kulʹturi ì mistectv. serìâ: audìovìzualʹne mistectvo ì virobnictvovyrobnytstvo/vìsnik kiïvsʹkogo nacìonalʹnogo unìversitetu kulʹturi ì mistectv. serìâ: audìovìzualʹne mistectvo ì virobnictvo

To the Question of M. Chekhov’s Methodology in the Creation of Contemporary Drama Film Work