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The purpose of this article is to analyze and systematize the experience of using folklore in contemporary theater practices in Kuwait. The research methodology is largely based on the structural-aanalytical art and cultural studies approach. Scientific novelty . The role and place of local folklore in the performances of contemporary Kuwaiti theater in the context of two vectors of its use have been first explored: folklore in dramaturgy and in the performance. As a result of the study the author came to the following conclusions : some authors avoid literary imitation of folklore and actualize it by adding to the author's narratives; folklore serves as a source of artistic search for new forms for contemporary theatrical performances; sources of Kuwaiti folklore are folk customs, traditions, rituals, songs and fairy tales; in performances, artists used folklore means through censorship restrictions, for artistic and aesthetic purposes, and sometimes to satisfy and influence the audience; the authors adapted and updated the folklore materials for different categories of viewers; folk symbols and gestures served to validate the author's ideas; the directors used folklore to create metaphorical theatrical forms of a new aesthetic dimension and to embody the director's vision with indirect artistic means; directors, using Kuwaiti folk songs, dances, holidays, as well as costumes and decorative elements, gave the works new meaning and new interpretations; the folklore allusions in the new productions called in the audience a bewilderment and sometimes shocked; contemporary theatre of folklore shows that theater is not only a word but also a visual language and audio language, which includes dialogues and creates an aesthetic image of the performance; sometimes the performances used methods close to cinema and television.

Використання народної спадщини (фольклору) у кувейтських сучасних театральних виставах: обрані моделі