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The purpose of the article is to analyze one of the seven piano concertos of the great Polish composer of modern times, Andrzej Nikodemovich (1925-2017), in the context of the late style, means of expressiveness and form. In this genre, the composer uses highly dissonant 12-tone sound material and complex rhythmic divisions, complementing the rhythms, thereby creating a dense

Piano Concerto No. 6 by Andrzej Nikodemowicz – a Symptomatic Stylistic Transformation with Regard to Late Style?