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This paper presents an unpublished letter written by Giulio Clovio to one of his most prominent patrons, Duchess Margaret of Parma, in 1574. As a continuation of their previous correspondence, it provides some new information on the network of persons involved in the communication and distribution of Clovio’ s artworks. Additionally, the author proposes a connection between Clovio’ s last known painting of Madonna and Child with St Simeon and The Holy Family painting, previously not described and evaluated in literature.

Patrona and Servitor – New Insights into the Patron/Artist Relationship between Duchess Margaret of Parma and Giulio Clovio