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The article considers a concert for piano and orchestra by F. Poulenc in the context of the musical aesthetics of the composer and features of the orchestra texture as key components of the author s creative method. The basic principles of orchestral writing are analyzed. Using specific examples from individual parts of the concerts, interesting distinctive properties inherent in the orchestration jf the composer are examined. Ключевые слова: концерт, фортепиано, оркестр, Ф. Пуленк, аккомпанемент, метод, особенность.

PECULIARITIES OFORCHESTRA FACTURE IN CONCERT FOR PIANO WITH ORCESTRA F.POULENC (CIS-MOLL)