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I cultural histories of the late 20th century, particularly those that examine the world of pre-cyberspace periodicals, one question is likely to remain a vexing topic of debate. The last decade before the cyberspace revolution witnessed a rapid flourishing of independent paper-based journalism, very often closely tied to independent musical cultures, the publications that rapidly became known as “zines”. Chronologically, though, the efflorescence of zine culture in the 1990s is no less remarkable for its following upon a very different form of self-publication activity: samizdat production under the state-socialist regimes of the USSR and its satellite states in Europe, prevalent throughout the post-Stalinist era up until the rapid dismantling of government censorship and the command-economy control of print technology in the 1989 – 1991 period.

Space, Paper, Transition/ality at Bolzanova 7. The Dissolution of the Czech Samizdat Scene and the Growth of Zine Culture in the 1990s