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F over 30 years now, musicians from different scenes, ages and educational backgrounds have been meeting at do-it-yourself (DIY) rehearsal and recording studios in Thessaloniki. These studios are located on the upper floors of old buildings, especially on the west side of the city centre, above stores and bars and outside of the recorded, official and local histories of musical life. From the mid1980s these places were the springboard for a series of crucial musical osmoses, operating as places of communication and networking but also the formation of musical collectives. With the DIY ethos as common ground and Thessaloniki as their urban site, several different kinds of popular music idioms (from hardcore, punk to reggae and trip hop) blossomed throughout these 30 years of ceaseless musical creation. But is it sufficient to describe these musical activities under the term “music scene”?

Not Just a Zine: the “Rollin Under” Zine and Thessaloniki’s DIY Music-making (1985 – 1990). Thessaloniki’s DIY Music Scene