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M has become increasingly important in the post-digital era. It captures the reconfiguration of our media experience and our exclusive interest in the immaterial digital environment. In other words, the pivotal aspects of our lives have already been digitised, but for different reasons we are returning to analogue media and physical formats – sometimes with a paralysing nostalgia (or rather, as a symptom of the slow cancellation of the future).1 Our experience is not limited to this, as novel ways of creatively revising older media in a truly post-digital manner appear.2 This approach breaks the cycle, namely it upsets the hegemony of digital immateriality and extends our perception beyond the blue screens and sets of discourses surrounding them to touch and intimacy. Not only media scholars but historians, too, could profit from this perspective.

Not Out of Date, but Out of Time: The Materiality of Zines and Post-digital Memory