English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Problem statement. The urgency of this study is caused with the lack of special studies on cinema-pedagogical activity of O. Dovzhenko in Ukraine, with the need to create a complete and objective biography of the artist and trace his influence on the formation and development of Ukrainian cinema education in the 1930s and 1940s, to clarify the biography of O. Dovzhenko, discovering and publishing an unknown layer of sources from formerly closed state and personal archives, special storages, and libraries. Analysis of recent research works and publications. The beginning of the cinema-pedagogical activity of O. Dovzhenko at the Odessa State College of Cinematography of the All-Ukrainian Photo Cinema Management was investigated by O. Shimon [17], but the chronological framework of his work did not allow to clarify the further Dovzhenko’s cinema-pedagogical experiments. Some aspects of the cinema-pedagogical activity of O. Dov zhenko were considered in the works of G. Zhu rov [8], M. Shudra [18], L. Cherevatenko [16] and O. Bez ruchko [1; 2]. Objectives of the study are to research the start of the artistic and mentoring activity of Ukrainian feature films director O. Dovzhenko; to analyze his cinemapedagogical activity at the Odessa State Institute of Cinematography of the All-Ukrainian Photo Cinema Management; to find out the possibility of engaging in teaching at the Theatre Cinema Photo Department of the Kyiv Art Institute; to discover the facts of Oleksandr Dovzhenko’s work in the methodological commissions “Film Director’s work” and “Sociology and History of Arts, History of Material Culture, History of Cinema” at the Artistic Faculty of the Kyiv State Institute of Cinematography. The aim of the article was to study and analyze the beginning of cinema-pedagogical activity of the genius Ukrainian film director O. Dovzhenko at the Odessa State College of Cinematography of the All-Ukrainian Photo Cinema Management, the TheatreCinemaPhotoDepartment of the Kyiv Art Institute and at the Artistic Faculty of the Kyiv State Institute of Cinematography. Presentation of the main research material. Cinema-pedagogical activity of O. Dovzhenko began at the Odessa State College of Cinematography of the AllUkrainian Photo Cinema Management (1924–1930), whose students during the internship at the Odessa Film Factory “definitely felt into the crew of Dovzhenko... Former student Georgy Zhurov recalled that those who managed to become the assistants of Oleksandr Dovzhenko were considered lucky” [12, p. 258]. It is known for certain that one of the students in the Dovzhenko film Vasya-Reformator was Yuri Tamarsky [16, p. 53]. According O. Shimon, a cinema historian, good results in the cinema-pedagogical practice of the Odessa State College of Cinematography gave such a form of tra ining as seminars on the profile, which included lectures and reports on specific problems of cinema and related arts, practical tasks, followed by collective analysis, review and discussion of the new films, interesting printed works, creative trips to the Moscow and Leningrad film factories. Kuleshov, Eisenstein, Pudovkin, and Dov zhen ko were invited as a lecturers for these seminars [17, p. 133]. Yet, according to Oleksandr Shimon, only the latter two managed to actually make it. Although O. Dovzhenko did not have the studio of his own, he did not bypass the Odessa State College of Cinematography of Cinematography of the All-Ukrainian Photo Cinema Management. The memoirs of G. Zhu rov confirm this: “For the qualifying (diploma) works O. Denisov invited the well-known figures of the theater Oleksandr Bezruchko Doctor in Art Studies, Professor of the Department of Cinema and Television Art of the Kyiv National University of Culture and Arts Олександр Безручко доктор мистецтвознавства, професор кафедри кіно-телемистецтва Київського національного університету культури і мистецтв

The Beginning of the Artistic and Mentoring Activities of O. Dovzhenko