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Modern Chuvash literature, like other national literatures, is developing in many ways. This is clearly shown by those works in which new phenomena are formed that were previously alien to the literature of the Soviet period. The relevance of the article is connected with the need to determine the place and role of the concept of &amp;quot;women's prose&amp;quot; in Chuvash artistic creativity. The artistic world of Chuvash literature is primarily based on the worldview of the people and the uniqueness of the Chuvash language. Therefore, very often typical phenomena of Russian and world literature for the Chuvash literature become insignificant. In this regard, the purpose of the study was to present arguments in favor of the statement that the aesthetic world of the work is not directly related to the author's gender. The subject of the research in this article is the prose works of Chuvash women writers (Yu. Silem, U. Elmen, R. Prokopieva). In the course of the study, the following results were obtained: the writer's worldview includes many components, the most significant of them are the gender and nationality of the author; the concept of &amp;quot;women's prose&amp;quot; is not relevant for Chuvash literature, since it manifests itself only within the framework of individual works and is mainly associated with philosophical, psychological and lyrical the style of the writer.

Women’s Worldview of the Writer or the Aesthetic World of Literature (Reflections on the Term “Women’s Prose”)