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This text is an description of experience lived in the Quilombola Dona Juscelina Community in Muricilãndia -TO, aiming to seize the meanings of the space lived regarding the preparation for the Celebration of Abolition in May 13th, preceding with the Dawn of the Abolition and culminating in the realization of the Theatre of Abolition in the open air. This is a space-time where the subjects build their quilombola identity, in the strengthening of the territorial disputes of this community, in a place of discourse where there are oppositions, Presences of the Other (LANDOWSKI, 2002, 2015), felt in the unsettling rite in a space of political discourse, of provocations that question the denied rights as a reflection of coloniality. These rites (SEGALEN, 2002) have in music, dance, and objects, as well as in theater, elements that mark a territory (i) material, which claim social spaces and come out of invisibility. The use, as the quilombolas make of this place, is what gives sense to the place (TUAN, 2013). In this case, the use of language (FONTANILLE, 2014) is relevant, because this is what constitutes life in society. The Abolition Festival as the main festival that marks the identity of this community, has a historicity (DA MATA, 1987), coming from the ancestors of the matriarch, lived in the quilombo space (RATT, 2006), in daily life, in reference to the context of local knowledge coloniality (MIGNOLO, 2003), in times of globalization. It is relevant to show that a party organized mostly by women and their representativeness in the community, as leaders who live this moment a political act. Key-words: Quilombo; Language; Living Space; Rite. COMUNIDAD QUILOMBOLA DONA JUSCELINA: FIESTA DEL 13 DE MAYO EN UN ENFOQUE SEMIÓTICO DEL ESPACIO Resumen: El presente texto es un relato de una experiencia vivida en la Comunidad Quilombola Dona Juscelina en Muricilãndia -TO, con el objetivo de captar los sentidos del espacio vivido con respecto a la preparación de la fiesta del 13 de mayo en la Fiesta de la Abolición, que precede al Amanecer de la Abolición y culmina en el realización del teatro Abolição al aire libre. Este es un espacio-tiempo donde los sujetos construyen su identidad quilombola, en el fortalecimiento de las luchas territoriales de esta comunidad, en un lugar de discurso donde hay oposiciones, Presencias del Otro (LANDOWSKI, 2002, 2015), sentidas en el rito perturbador en un espacio de discurso político, de provocaciones que cuestionan los derechos denegados como reflejo de la colonialidad. Estos ritos (SEGALEN, 2002) tienen elementos en la música, la danza y los objetos, así como en el teatro, que marcan un territorio (i)material, que reclaman espacios sociales y salen de la invisibilidad. El uso, como hacen las quilombolas de este lugar, es lo que le da significado al lugar (TUAN, 2013). En este caso, el uso del lenguaje es relevante (FONTANILLE, 2014), por lo tanto, esto es lo que constituye la vida en sociedad. El Festival de la Abolición, como lo festival principal que marca la identidad de esta

COMUNIDADE QUILOMBOLA DONA JUSCELINA: A FESTA 13 DE MAIO NUMA APROXIMAÇÃO SEMIÓTICA DO ESPAÇO