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The purpose of this paper is to make clear the concept of work on ‘GARDENS FOR UNESCO’ project. In interpreting the concept, “a sculptor’s world,” which is Noguchi’s 1968 autobiography is chosen as a basic literature. And we hold interview with Touemon Sano, who was Japanese gardener and collaborator of the project. The analysis is carried out by two sides; one is the external side: social and political issues, the other is internal side: Noguchi’s words regarding his garden thought. In conclusion, we suggested that Noguchi was able to create epoch-making garden by grasping deeply spirit of Japanese nature’s thought.

A STUDY ON THE INTENTION OF WORK AS TO ISAMU NOGUCHI'S GARDEN