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This paper examines the composition of dry landscape gardens created in Muromachi period through the analysis of the differences between view of the garden from Engawa and view from the room. We focused on four sets of Hojo and adjoining garden, at Ryogen-in, Daisen-in, Ryoan-ji and Juko-in, and made three-dimensional CG of them, based on the research report and field survey. Through analysis, we pointed out that the space left near Hojo corresponds with the views from rooms, and the variety in the placement of stone brings change of view from the room.

THE COMPOSITION OF DRY LANDSCAPE GARDENS FOCUSING ON THE VIEW FROM THE ROOM