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In the following paper, the author approaches some of the visual work of two contemporary photographers – Erwin Olaf and Ruven Afanador – in an attempt to see how their work renounces traditional views on masculinity. The photographs chosen for this analysis appear to be a peculiar play with social conventions and expectations related to gender and sexuality. In their work, both Erwin Olaf and Ruven Afanador seem to disrupt and reject the economy of heterosexual desire in favour of a much freer – and unconstrained by propriety – expression of corporeality and sensuality. As a result of such a spectacle of re-creation, the body is redefined not only as a means of expressing performativity (or, the surface onto which it is inscribed), but above all as a medium of becoming which functions as a reservoir of ever-changing meanings.

Queering the (Camera) Matrix: Male Body Aesthetics in Erwin Olaf's and Ruven Afanador's Photography