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The article revolves around the genre and stylistic dominants of the novels in the genre of dystopia and the problems of their reproduction in Ukrainian translations. The comparative analysis is based on the three most famous dystopian novels “We” by Eugene Zamiatin, “Brave New World” by Aldous Huxley and “1984” by George Orwell and is carried out through the lens of translation studies. The dystopian genre and stylistic peculiarities are mainly represented in the authentic texts by means of quazirealia, which are subdivided in this article into various categories denoting the objects of the fantastic world. Thus, attention is paid to the problem of the identification and interpretation of these lexical units in the Ukrainian translations.

Comparative Analysis of the Genre and Stylistic Dominants of the XXth Century Dystopian Novels in the Light of Translation Studies