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The author studies the theoretical aspects of historical re-enactments. In particular, the analysis of the use of “re-enactment”, “show”, “festival”, “living history” concepts are made, in the context of international experience. Some of the trends and prospects of rehabilitation of the festival re-enactments in the world are determined. Attention is drawn to the fact that historical re-enactment is not only a tool for tourism and a form of recreation, but also the way to construction or even manipulation of memory. Accordingly, the author concludes that the implementation of historical re-enactments requires the introduction of a kind of ethics code to guide the organizers of such events. Tendencies and prospects of historical re-enactments development in Ukraine and the world in the context of memory policy are shown.

Historical re-enactments in tourist practices and politics of memory