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This article examines representations of sexuality in the first series of American Horror Story. Though the series presents many supernatural villains and is, on the surface, a typical haunted house story, it often creates its sense of horror through deployment of sexual tropes. The haunted house story itself is traditionally linked to notions of sexuality and class (Bailey, 1999; Ellis, 1989); this paper argues that American Horror Story (2011- ) emphasizes that link and manipulates such notions to explore their place in contemporary American thought and entertainment. Analysis of Kristeva’s and Creed’s linking of Horror to sexuality demonstrates that the series builds its sense of horror on abjection. Ghosts and other supernatural creatures in the series, this article contends, are merely accoutrements to a plot that is steeped in sexual anxieties. Grounded in Foucault’s characterization of sanctioned sexual repression as ‘a sentence to disappear’ and ‘an injunction to silence’ (Foucault, 1978: 4), this discussion of American Horror Story studies the show’s explicit references to, and depictions of, sexual practices that are typically neglected on mainstream television. Finally, this article questions the show’s success in subverting popular opinions about aberrant sexualities.

Who’s Afraid of the Rubber Man? Perversions and Subversions of Sex and Class in American Horror Story