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Bajo el prisma de la circulacion internacional de ideas, este articulo presenta un analisis sobre las condiciones sociales que trazaron el itinerario transnacional del principio de diversidad cultural entre agentes y estructuras de distinto orden (organismos internacionales, Estados y asociaciones de profesionales de la cultura). Este principio acumula en su trayecto un capital simbolico , tomado y reinvertido por un sector del mundo cultural chileno para la rehabilitacion de la cultura como una categoria de intervencion publica. Acogida y traducida a la escena nacional, la causa de la diversidad cultural responde a dinamicas que no pueden ser entendidas, sino a la luz de una homologia estructural de posiciones entre agentes diferentes, situados a distintas escalas. A nivel internacional las ideas no circulan por si solas, se estructuran dentro de un espacio de posibilidades a nivel nacional. Desde esta perspectiva, se mostrara de que manera la movilizacion de los editores independiente fue determinante en la inscripcion de la diversidad cultural en Chile. Abstract From the perspective of the international circulation of ideas, this article presents an analysis of the social conditions that made possible the transnational circulation of the concept of cultural diversity among different agents and structures (international entities, National States and professional cultural associations). Through this circulation, the concept has accumulated a symbolic capital , which has been taken up and reinvested by some sections of Chile’s cultural world in order to rehabilitate culture as a category of public intervention. Translated into Chile’s reality, the cause of cultural diversity responds to dynamics that can only be understood considering a structural homology of positions between varieties of agents situated at different levels. At an international level, ideas do not circulate independently; they are structured within a space of possibilities that exist at a national level. From this view, we will show how the mobilization of independent publishers was a determining factor in the adoption of the principle of cultural diversity in Chile.

revista del museo de antropología/revista del museo de antropología

Los editores independientes y la constitución de un capital simbólico transnacional: condiciones sociales del ingreso de la diversidad cultural en Chile