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This article focuses on the politics of literature and political aesthetics, in light of the literary theories of Jacques Ranciere, with an analysis of the chapter “La parte de los crimenes”, featured in 2666 (2004), written by Roberto Bolano. This work can be read as a literary form of the “Femicide theory”. This concept, coined by Jill Radford and Diana Russel, has been adopted and developed by Latin-American academics, who grant it its present global status. In support of these theories, an analysis of Roberto Bolanos literary corpus is made, detailing the essential characteristics and methods with which the literary text gives a specific gender perspective to the book.

«La parte de los crímenes» en 2666: la visibilización del concepto «feminicidio» como política de la literatura