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This article analyses the choice of stage names by artists from an interdisciplinary perspective, combining anthroponymic, sociolinguistic and psycholinguistic research methods. Only a few singers choose a pseudonym in connection with their Christian name, which leads to the idea that they hide behind unconventional onomastic forms. This study focuses on the role of pseudonyms, which have an effect upon the traditional system of onomastics. The impact of globalization upon the act of naming artists allows for a cross-cultural approach. The choice of pseudonyms by artists implies certain motivations. The extension of pseudonym use not only in public space, but also in private determines the loss of the identity conferred by one’s Christian name.

Desacralizarea numelor unor artiști prin atribuirea de pseudonime