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Development features of liturgical and outliturgical spiritual music of the period of Peter I’s reign are associated by the following processes of transition period between Middle Ages and Modern Age: 1)  polystylism because of Old Russian Znamenny Chant in a church usage and genetically related demestvenny and peavey chants, strochny singing, as well as influenced by European singing part-song; 2) representation of several genres’ manifests in monodiyny chants, harmonization of bookhood singing and part-song compositions as parts of liturgical singing as well as spiritual cants and psalms as parts of out liturgical singing; 3) coexistence of several Christian traditions – orthodoxy (official and Old Believers), Lutheranism and Catholicism; 4) development of spiritual song writing with two trends. The first one was characterized by creation of part-song compositions with constant polyphony in addition to Znamenny chants by sovereign’s clergy singers. The second trend was associated with the influence of European part-song with variable polyphony. Priority of innovative reforms was typical for secular music of the period of Peter I’s reign. It was driven by introduction of professional secular music art in the mentioned period. However, the reforms in spiritual singing with its deep centuries-long traditions were moderate. Innovations were hold by liturgical intent of singing, the function of the singing in the church usage, Church Slavonic language, and regulation of novelties by representatives of Russian culture.

Development of spiritual music in Russia of Peter I’s reign period