English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article identifies the first stages of Borges reception in Italy on the basis of some translations and scattered critical interventions that have been neglected by previous criticism. Attention is devoted to the years between 1927 and 1937, a period when three different translators published Italian versions of four Borges’s poems. These one attest the Italian focus on Borges’ avant-garde poetry as an important representative of innovation in Argentine literature. They are at the same time the oldest translations of Borges’ texts in Europe, all prior to the French translation made by Nestor Ibarra in 1939. The analysis of this material reveals some aspects that allow us to connect these texts to the same cultural context, in which are particularly important (personal and cultural) relationships within the Italian-Argentine community.

Prime traduzioni di Borges in Italia: 1927-1937