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Approximisation refers to milieu/space and synchronisation to time. Such approximation/synchronisation requires a special mode of expression, which makes the replacement of room and the reversal of time plausible to the spectator. This mode of expression is myth/ritual or theatre, or both. Here we face both. We face the imitation of an original symbolic act, the handing over of sovereignty, but on a theatre-like stage, the "Court" around the present President of Lanka in 1995. Here the sober borders between theatre and ritual become blurred. The author gives an example of a recent approximisation/ synchronisation by representatives of the PA Government of Lanka in the 1990s. The event is the conquering of Yalppanam (Jaffna) by the Lankan armed forces in November/December 1995. This event is approximated to, and synchronised with, the event of conquering of Yalppanam by the war hero Sapumal Kumaraya in the 15th century. On the modern political stage, the role of King was taken up by the President Chandra Kumaranatunga-Bandaranayka, and the role of Sapumal Kumaraya by her General Anuruddha Ratwatte. The role of the conquered King Kanakacuriyan is by implication ascribed to the present leader of the Ilavar, to Veluppillai Pirapakaran, who also leads his military organisation known as the Liberation Tigers of Tamililam (LTTE). The Ilavar are those who go for independence or autonomy of Tamililam. Lankans are those who go for a unitary or united state of Lanka. The aim of the ritual public performance on the highest state level is to eliminate an experience of contingency surrounding war in a Buddhist country, killing to conquer an area, and establish a unitary state in a country that is already mentally fragmented.

“Conjuring up spirits of the past”: identifications in public ritual of living persons with persons of the past