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The article discusses factors contributing to the emergence of the myth-based novel in the Ossetian literature. Based on the analysis of the works by N. Dzhusoyty, M. Bulkaty, B. Gusalov, and S. Khugaev, features structuring the artistic paradigm of the new genre were revealed. The author studies transformations of the epic discourse, reception of a myth in the text structure, interaction of mythic epic and historical principles. Special attention is paid to the constitutive element of the author world-modeling the mythopoetic chronotope. The apocalyptic component was singled out as a constante of the genre, accentuated reflection of modern catastrophism. The conceptual significance of memory, antinomism of semantics of the creation myth were emphasized. When analyzing motivational aspects of the genre genesis, the unity of two multidirectional beginnings was highlighted: pathos of ethnic self-affirmation, interest in the structures of national myth thinking, ontology of life and openness to the poetics of the cultural intertext, aesthetic experience of the non-national world. This is due to the synthesis of genres, tional myth by biblical allusions, elements of utopia and dystopia. The conclusion about writers to the space of the universe was made. The concept of narrative strategies and genre features of the Ossetian myth-based novel as a developing structure was deepened. The types of artistic mythologism were identified.

proceedings of the international conference "topical problems of philology and didactics: interdisciplinary approach in humanities and social sciences" (tphd 2018)

Ontological Motivation of the Myth-Based Novel in Ossetian Literature